The Cineo HSX Colour is a compact, colour-tuneable, 25,000 lumen LED soft source light optimised for video and still photography. Powerful and colour adjustable from 2700K-6000K, the Cineo HSX features the same beautiful colour rendering and extended deep-red spectrum as their Remote Phosphor fixtures.
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Supplier Deal: £4230.00
A robust, shower-proof, foot-square, energy-efficient and cool-running fixture which can be powered by either battery (V-lock or Sony NPF) or mains supply, the Tecpro Felloni 2 is ideal for professional location shooting. The 576 LEDs of this high output model have a CRI of 84 and stable 3200K - 5600K colour range, shedding light over 50°. This broad...
The Flex 1' x 2' Bi-Colour Cine Set includes: a Flex 1' x 2' Bi-Colour LED mat, a Scrim Jim Cine 1' x 2' Frame and diffusion, and a Dual-Socket Magic Arm. The portable, versatile Flex 1' x 2' Bi-Colour Mat weighs under 450g and is fully bendable, rainproof, and durable. With its 256 high-power LEDs, which can be adjusted between 2800K and 6000K and...
Featuring 900 high efficiency LEDs with a Colour Rendering Index of Ra:95, the CN-900CSA LED Studio Light from Nanguang has stepless colour control for temperatures between 5600K (daylight) to 3200K (tungsten). It is supplied with a carry case for portability, as well as an additional blue filter for CT adjustment to 7500K and an extra soft diffuser....
Guaranteed to measure at a Television Lighting Consistency Index of 95 ± 1, the Z720 UltraColor by F+V is a daylight-balanced, high-power ring light perfect for capturing gorgeous catchlights in the eyes of your subjects. With a 290mm center opening, it is able to be used with any size cinema lens, and has mounting options for 15mm LWS or 19mm studio...
The 144 high-power LED lights of the Capra12 are divided into two colour temperatures: 72 at daylight-balanced 5600K, and 72 at tungsten-balanced 3200K. The portable, versatile light features a dimming knob, to dim the lights from 0-100%, and an additional knob that allows you to smoothly transition between the daylight and tungsten LEDs. This is ideal...